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Emi Ferguson and Ruckus’ Fly the Coop is a “wild romp through some of Bach’s most playful and transcendent works,” toying with tradition and whimsy. Ferguson is a rising star of the flute, performing alongside artists like Yo-Yo Ma, Paul Simon, and James Taylor, and has gained attention across the country. Her collaboration with Ruckus – “the world’s only period-instrument rock band” – is a fresh way to consume Bach.
Fly the Coop features the relationship between ethereal sound of solo flute and the rich texture of an expansive rhythm section, made up of theorbos, baroque guitars, baroque bassoon, cello, viola da gamba, harpsichord, organ, bass, and banjos. The music Ruckus and Ferguson create is grand and luxurious, with diversity in style and form. Worked throughout the program are arrangements of a selection of Bach’s keyboard works, featuring movements of the Well-Tempered Klavier , and drafts from the Anna Magdalena notebooks of solo piano works.
Prelude in G major after BWV 884
J.S. Bach – Sonata in E Minor BWV 1034
Prelude in E minor after BWV 855
J.S. Bach – Sonata in E Major BWV 1035
Prelude in G Minor after BWV 847
Prelude in C Minor after BWV 999
Emi Ferguson – Prelude in C Major
J. S. Bach – Sonata in C Major BWV 1033
Prelude in E Major after BWV 815a
Emi Ferguson
is on a mission to shake up classical music.Whether playing modern or historical flutes, singing, composing, or speaking about music, she brings centuries of music to life with an adventurous spirit and a fresh perspective. Her performances—ranging from Renaissance masterpieces to brand-new commissions—are anything but predictable, blending historical performance with a fearless, modern edge.
A 2023 recipient of the Avery Fisher Career Grant, Emi thrives as both a soloist and a collaborator, appearing at major festivals and concert halls around the world. She performs regularly with AMOC*, Ruckus, the New York New Music Ensemble, the Handel and Haydn Society (where she is principal flute), and the Manhattan Chamber Players. As music director of Camerata Pacifica Baroque, she curates bold, genre-defying programs that highlight the Baroque for Southern California audiences.
Chamber music and it’s spirit of collaboration has been at the heart of Emi’s artistic journey. Her experiences at festivals like Marlboro, Lucerne, Ojai, Bach Virtuosi, and June in Buffalo have deepened her ability to listen, respond, and create dialogue in front of and within an ensemble. The spirit of collaboration, exploration, and intimate musical exchange informs all of her performances—whether she’s reimagining Baroque sonatas, weaving historical performance with contemporary techniques, or bringing new compositions to life.
Emi’s ability to connect through music has resonated in some of the world’s most meaningful moments. Her performance of Amazing Grace at the 10th Anniversary Memorial Ceremony of 9/11 at Ground Zero— alongside Yo-Yo Ma, Paul Simon, and James Taylor—was broadcast globally and is now part of the permanent collection at the 9/11 Museum.
Her recordings reflect her curiosity and willingness to push boundaries. Her debut album, Amour Cruel, an indie-pop song cycle inspired by 17th-century French music, spent four weeks on the Classical, Classical Crossover, and World Music Billboard charts. Fly the Coop: Bach Sonatas and Preludes, her 2019 collaboration with Ruckus, debuted at #1 on the iTunes classical charts and #2 on the Billboard classical charts, earning praise from The New York Times as “blindingly impressive… a fizzing, daring display of personality and imagination.”Up next: a new album with Ruckus, By George! exploring the unexpected connections between Ligeti and Telemann. Emi’s discography also includes releases on New Focus Records, Old Focus Records, Orchid Classics, Canteloupe Music, National Sawdust Tracks, Brontosaurus Records, Coro, and MSR Classics.
Beyond the stage, Emi is passionate about making classical music more accessible and relevant. She has spoken and performed at TEDx eventsand been featured on The Discovery Channel, Netflix’s Explained (Vox), and The Marvelous Mrs. Maisel talking about how music relates to our world today. As a radio host and programmer, she developed This Composer Is Sick, a WQXR podcast, with Max Fine that explores how syphilis shaped the lives of composers like Franz Schubert, Bedřich Smetana, and Scott Joplin. She is now a host of WQXR’s Young Artists Showcase and is creating new programming for younger listeners, introducing them to music through storytelling in the radio series Once Upon A Composer, based on her book Iconic Composers, co-written with Nicholas Csicskoand illustrated by David Lee Csicsko that offers a fun, engaging look at 50 remarkable composers from the past 1,000 years.
As a historical flutist, Emi regularly performs with ensembles like Tafelmusik, Voices of Music, the American Classical Orchestra, and Trinity Baroque Orchestra. She was the only flutist accepted into Juilliard’s inaugural Historical Performance class and became the first student to earn Undergraduate and Graduate degrees with Scholastic Distinction (for her simultaneous studies in Epidemiology) in flute performance. She later earned a second Graduate degree in Historical Performance as a Paul and Daisy Soros Fellow.
Emi can often be found dreaming up programs that collide various musical disciplines, composers, and that feature her as a flute player, singer, arranger, and composer. Upcoming projects include By George!, the music of Telemann and Ligeti, with Ruckus, The Enchanted Dawn, with harpist Ashley Jackson, and Pastures of Plenty, a program developed for Frankly Music that features the music of Franz Schubert, Woody Guthrie, Buffy Sainte-Marie, Harry T. Burleigh, and Thomas A. Dorsey. She was also a resident artist at the Hermitage Artist Retreat in 2023-2024. Recent collaborations have been Roscoe Mitchell’s Metropolis Trilogy with the Immanuel Wilkins Quartet, Ruckus, Metropolis Ensemble, and DACAMERA, and the Art of Invention with Dan Tepfer.
As an educator, Emi has served on the faculties of The Juilliard School, the Bach Virtuosi Festival, and the University at Buffalo. Born in Japan and raised in London and Boston, she now resides in New York.
Ruckus
is a shapeshifting, collaborative baroque ensemble with a visceral and playful approach to early music. Described as “the world’s only period-instrument rock band”(San Francisco Classical Voice), Ruckus’ core is a continuo group, the baroque equivalent of a jazz rhythm section: guitars, keyboards, cello, bassoon and bass. The NYC-based ensemble aims to fuse the early-music movement’s questing, creative spirit with the grit, groove and jangle of American roots music, creating a unique sound of “rough-edged intensity”(New Yorker) that’s “achingly delicate one moment, incisive and punchy the next” (New York Times). The group’s members are among the most creative and virtuosic performers in North American early music.
Ruckus’ debut album, Fly the Coop, a collaboration with flutist Emi Ferguson, was Billboard’s #2 Classical album upon its release.Performances of Fly the Coop have been described as “a fizzing, daring display of personality and imagination” (New York Times). The Boston Musical Intelligencer describes the group as taking continuo playing to “not simply a new level, but a revelatory new dimension of dynamism altogether… an eruption of pure, pulsing hoedown joy.” Ruckus is the “house band” for Hudson Hall’s baroque opera productions, directed by R.B. Schlather. The New York Times reviewed the 2023 production of Handel’s Rodelinda, praising Ruckus’ unconducted playing as “mercurial, almost improvisatory spirit that responded to the drama in real time.”Ruckus returns to Hudson Hall for Giulio Cesare in spring 2025. The ensemble made its Ojai Festival debut in 2022, performing a wide range of music: from Bach, to the improvisational scores of Roscoe Mitchell and George Lewis, to a recital featuring Anthony Roth Costanzo, and an original opera by bassist Doug Balliett. Recent highlights include debuts at the Shriver Concert Hall Series in Baltimore, Boston’s Celebrity Series, the Caramoor Festival, and NYC’s Town Hall.
Upcoming projects include a co-commission of a large-scale work by pioneering artist and NEA Jazz Master Roscoe Mitchell alongside the Immanuel Wilkins Quartet and Emi Ferguson. The work, produced by The Metropolis Ensemble, premieres at DaCamera in Houston in February 2025. In 2025, Ruckus will release The Edinburgh Rollick, bringing new life to the tunes of Neil Gow, one of the most influential figures in traditional Scottish music. In 2024-25 Ruckus conducts a nationwide tour of Strawberry Fields, featuring Emi Ferguson and Rachell Ellen Wong: bringing the music of Ignatius Sancho to audiences across the country.
“a fizzing, daring display of personality and imagination”
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